Art Print Issues

Drawing the Line on Reproductions

Technology for better and worse...sometimes a little of both

For as long as the ability to reproduce art has been available, there have been those who have sought to use it for legitimate purposes, and unfortunately also for ill-gotten gain. There were numerous reports last month about a ring of crooks busted for selling $7 million in fake Picasso, Miro, Dali and Chagall prints, including a post here. These details come nearly on the one-year anniversary of the announcement of the conviction of Kristine Eubanks and her husband, Gerald Sullivan. That pair had been charged with selling $20 million in bogus art prints, many of which were made in their own professional giclée printmaker studio.

(This content is republished from the April 3, 2008 Absolute Arts blog where I am a guest blogger and where you will find an interesting running commentary on it.)

Personally, I quite enjoy that visual artists can reproduce their work and thus create a secondary cash flow from it. It gives them another price point and allows them to introduce their work to many more collectors as well. Seeing cases of fraud, as mentioned above, concerns me visual artists creating legitimate reproductions can sometimes find themselves under unwanted unnecessary scrutiny. As if making a go of it for most artists was not already difficult enough.

What Is Art?

Part of the romantic allure of the art business – yes folks, it is a business – is it is kind of Wild West when it comes to what one wants to do and what one wants to call it. By golly, the debate over “What is art?” rages on and has never really been satisfied. Surely, the folks at the NEA (National Endowment for the Arts) can attest from regularly coming under siege for funding controversial works can tell you there is a wide range of sentiment regarding the question of “What is art?”

So, if we can’t decide on what is art, is there any chance we can decide on what is a print? The short and correct answer is no. The mixed use of terms in the business creates confusion that leads to anxiety and distrust.

What Is Investment Art? Can Giclées Be Considered Investment Art?

For many, buying art is more intriguing because one can also hope it may appreciate in time. Ask any of those folks taking part in the $200 million dollar class action suit against the Park West Galleries for its cruise ship art auction tactics. You can bet all bought with the idea of getting a great deal. Unfortunately for them it was only after being shorn did they realize they overpaid for art. It is the same mentality and likely the same herd, only on terra firma, that were taken in by the aforementioned couple of Eubanks and Sullivan who foisted their fraudulent works on their “Fine Art Treasures” cable TV show. In fairness, savvy buyers through the centuries have capitalized on buying undervalued art...and still do today. Tennis great, John McEnroe, says he's made more money in the art market than on the court.

We Should Rethink Limiting Digital Prints

I have for years championed the idea of abandoning limited editions for giclées. In fact, I blogged nearly three years ago on Absolute Arts with a post titled “Limiting Success” about it as well as on my own Art Print Issues blog. It just doesn't’t make sense to me for a variety of reasons; including it begs the question of why limit that which can endlessly be reproduced perfectly or as improvements come along all the better.

Limited editions also nicely lend themselves to some of the schemes mentioned here. I contend if the art is good enough, people will pay a fair price for it knowing it is in unlimited supply, which might help thwart some phony print schemes. Do I care if a recording artist sells millions of copies? Why should I care how many a visual artist will sell? If I want truly intrinsic value from a limited supply, I will pony up for an original, which is why many galleries have left the print/giclée market. They are tired of romancing the artist to a prospective collector only to lose the sale via the Internet when the buyer shops it. Selling originals avoids this problem, but it puts a kink in an artist's ability to leverage his or her work in the print market, which creates just another problem.

Regardless of what I have had to say, the fine art digital reproduction limited edition business remains strong, if not as vibrant as in its glory days. But then, you can say that about all kinds of businesses these days struggling to figure out how to survive in challenging changing times. Today, you can find many artists raking in big bucks selling limited editions in all manner of limited edition configurations. And, their galleries and they are not about to abandon a successful situation. Who can blame them? I merely argue they are leaving money on the table in the long haul by limiting editions.

How much did Greenwich Workshop & Bev Doolittle leave on the table?

Bev Doolittle's first giclées sold out nearly 4,000 pieces in a short time. Could she have sold more and still be selling them if they were merely numbered, but not limited? I contend yes. The early low numbers would ultimately have collectible value if the art is truly appreciable and not being Ponzied up by a limited edition marketing scheme. In Doolittle's case, I think the art would stand up to being open and sell well for years making he and her publisher more money with more happy collectors in the program as well.

A great image might sell well for years just as the back catalog of recording artists do. These steady streams of income could make a striking financial difference for popular artists and their families. Some, like the gifted watercolor artist, Steve Hanks, have retired huge editions on paper and are now releasing the images on canvas. I think Hanks would have never had to quit selling his work if the editions were they open and sequentially numbered because the work is enormously popular, timeless, compelling, representational and surreal at once. Instead, he’s had to resort to putting his watercolor work on canvas, which hardly reproduces as faithfully as his editions on paper.

Someone commented on my blog recently that giclées cannot be considered limited editions unless they are all produced at one time. The contention is they are a limited series instead. Once again, an interesting arguable take that further muddies the waters and heightens the desire for a ruling body to take hold.

Dead Artist's Estates Are Still Cranking Out Editions - So Are the Crooks - Who is Gary Arseneau?

To further stir the pot, there are many dead artists whose estates continue to print reproductions of their work. This, of course has been going on for years with the big names like Dali, Picasso, Miro and Chagall. While long gone, these artists remain in the news for the sale of both legitimate and fake reproductions of their work. Now along comes Gary Arseneau, he is a self-styled independent scholar, an artist, printmaker of original lithographs and a blogger. He is also the self-published author of books such as The Monument to the Victor Hugo Deception.

We ought to be asking, “Who is Gary Arseneau?” Is he a gadfly, or a crusader tilting in the wind trying to stem the tide of fake reproductions? You can only decide by spending time on his blog where he outlines in great detail his argument that the works of Rodin, Degas, Matisse, Duchamp and even Dr. Seuss that are being reproduced by their estates and heirs are fakes. He makes a heck of an interesting argument. Certainly, if you care about reproductions, buy them, produce or market them, you owe it to yourself to study his findings, read his arguments and come up with your own conclusions.

Is Having a Set of Enforcable Understandable Standards Too Much to Hope For?

Regardless of your personal opinion, the can of worms opened by Mr. Arseneau hastens the idea that establishing and enforcing true standards in the art world would be helpful. It is a crazy notion, I agree, but until a line is drawn on reproductions, the visual arts community will carry the burden of proving itself beyond reproach each time art of any value goes to market.

Artists Who Establish Authenticity and Transparency in Their Business Practices Will Win

As the world shrinks due to instant information and communication, being authentic and transparent becomes imperative. For those artists who find a way to embrace authenticity and transparency in how they create multiples or reproductions of their popular work and manage and market their business, there is ample reward awaiting them and their rightful heirs.

Noah G Pop Puts Pizazz in ArtExpo New York 2008

Pop artist Noah G Pop rocked this year's 30th Annual ArtExpo New York show, which took place February 28 - March 3. It is obvious he seeks to put more glide in your stride, more hip in your dip, more zig in your zag and more cut in your strut. In other words, this dude knows how to throw a party and have fun. That he manages to do it around promoting his art makes him just that much cooler.

When it comes to enjoying success in the art business, marketing and promotion are the twin synergistic generators that drive (AIDA) attention, interest, action and desire. Noah gets this in spades and that he effectively executes around making these waves as a SOLO exhibitor makes all he does more impressive.

Putting POP in Promotion, Party and Prints

In Noah's case, you find a confluence of terrific visual art and fun promotion creating a memorable experience for all involved. You can see for yourself, his party and attendant promotion pack as much punch as his art.  Both deliver on the promise of visual treat and stimulating exciting times.

His art is themed with the Pop influences of decades past, but as with any talented artist, he manages to make it current and specific to his artistic vision. It is no surprise he did well with his Jene NYC piece, shown here. It is hot, colorful, sexy, glamorous and fun. All the things one can hope to experience when attending ArtExpo New York.

The Fun Is Back, Let's Hope It Stays

Noah singlehandedly managed put back into ArtExpo a component that has been missing for some time. And, I'm sure he did it on a budget that would put to shame some of the corporate or show producer managed invitation only parties that run on the sedate side. The history of the experience of ArtExpo was there were always happenings. You didn't dare miss the show or the parties around it. The exciting open-to-all party element has been sadly missing in the past few years. As the show declined in size, it lost some of the zest that had made it special. Thanks to Noah G Pop, the fizz is back and the buzz around his art and his next party, which he already planning for next year are already in full swing.

Here is the content of his post-show email. Read it and you'll see he hasn't stopped having fun. And, while you are reading it, think about how you can put some fun of your own into your own art promotion:

3 More Important Things I Want You to Know Direct from the Noah G POP Playbook:

1)     First, I would like to thank everyone that attended my opening night bash at the Star Lounge and believe me there were a lot of you.  Our counter finally stopped somewhere north of 400 guests including artists, models, actors and a whole plethora of all-around cool people.  The vibe was definitely one of peace, love and FUN, FUN FUN!  I so much appreciate the support of each and every one of you.  Personal highlights for me included my Mom and Dad, my brother David, my sister Farrah, NYC Fashion Designer Grace Edwards, Iconic NYC Socialite, Philanthropist and Human Rights activist Zelda Kaplan, two of my favorite artists, world-renowned Painters Fabian Perez and Ford Smith and of course, it wouldn't be a party without the Naked Cowboy.  Also, special thanks to Rob Base who showed up and performed his hit single, "it takes two to make a thing go right". 

Now, for those of you that missed it; DON'T PANIC!  I will be hosting an evening of art, music and modern dance at the Grand in April (details to follow) and believe it or not, we have already begun planning our opening night bash for ARTEXPO NY 2009 (seriously).  Cue the cocktail music!  Yes!  This one will be bigger and better (think skylight cruise) and YOU ARE INVITED SO SAVE THE DATE!!!

2)    I would like to thank everyone that stopped by my booth to look at my work.  Thanks to your support and interest in my art, we had another killer show selling at least one of each piece with the big winner being Jené NYC who now has 5 new homes.  Thank you, thank you thank you. 

3)     I just saved a bundle on my car insurance!  I kid again.  I wanted to take a moment to speak to all artists but particularly my fellow SOLO artists.  Sharing your gift with the world can be a wonderful and magical experience.  It can be filled with excitement and joy but can also be stressful at times.  As someone that has personally experienced the broad spectrum of emotions that can accompany an event like artexpo, I applaud you for having the guts and the drive to share your art with the world.  For those of you that had a great show, I congratulate you and for those of you that would have liked to have a better show, encourage you to keep pushing, keep learning from your experiences and keep striving to share yourself and your art.

With this in mind, if I can be of any assistance to you in the future, please do not hesitate to contact me with any questions, comments or simply to bounce some ideas off of each other.  After all, we artists have to stick together.  Be on the lookout for Noah G POP Management in 2008.

I thank you for all of the support that I have received over the past year and of course, most importantly, Enjoy my art!

With much love and respect,

Noah G POP

For more information call 646.413.2366or email me at noahg@noahgpop.com.  Friend requests at www.myspace.com/noahgpop.

www.noahgpop.com

Some other observations about this year's ArtExpo

The final tally on its Website for exhibitors has a count of 467 companies. It's possible there are more, but even with last minute additions, it's hard to believe the exhibitor list came anywhere near the 600 touted by show management for the '07 show. The number of blog posts about the show is down from last year too. Here are a few I found you might find interesting:

Manuela Valenti looks like she is making good on her ArtExpo experience. It looks like she used this video in her booth. Regardless, it's terrific use of video to promote her art. Congrats!

Natasha Wescoat provides insight on her ArtExpo Las Vegas experience

Adan Lerma provides a running commentary on his experiences in 2007 & 2008 here

It's great to see Noah putting forth his energy into ArtExpo. For all the show has suffered from changes in the marketplace, revolving ownership and other circumstances out of its control, it remains the single best place to showcase artists in the print medium. There is still no place like the Big Apple for such a show. The Las Vegas show last fall proved nothing can come close. Let's hope the promise of young energetic talent like Noah G Pop and his contemporaries help revive the show's sagging fortunes.

Something Old Something New Meet Myron Arndt & Sue C. Smith

SOMETHING NEW

A long time art print indutry veteran recently joined the ranks of art business bloggers. His name is Myron Arndt. With his list of accomplishments and breadth of knowledge, he is sure to add value to the conversation about how to help the art market, prints in particular, navigate the choppy waters surrounding it today.

An example of the valuable information Myron is publishing on his Art Business Thoughts blog is his recent post titled, Art Submission Tips. It provides insights for artists on how to properly present themselves to a publisher. One of his ventures is Island Art Publishers. From this vantage point he offers firsthand knowledge, wisdom and tips for artists considering working with a a publisher. Check him out, you'll be glad you did.

I would love to see more art print publishers join the ranks of bloggers. It would be good for them and great for the industry and artists to have them publishing their thoughts and sharing their treasure trove of experience as Myron has chosen to do. If you have contact with any publishers, let them know about Myron and suggest to them the notion of starting a blog for themselves. Tell them to contact me for ideas, guidance and resources to get started.

SOMETHING OLD

Sue C. Smith launched her Ancient Artist blog in May 2007. I love the concept; the subtitle is: On creating art in Oregon, starting a second career in art instead of retiring, developing an art marketing strategy, and philosophical discussions about art.

How many artists does that describe? A whole bunch is the answer. Boomers are shedding their past and searching for their futures in droves. The number turning 60 every day is astounding.

I think Sue is on to something with her approach. Her blog topics are wide ranging, but are all nonetheless interesting. Much of her Ten Things You Can Do Now dovetails perfectly with my own philosophy of developing an art career.

Best wishes to both these bloggers to keep adding to the art business and art marketing blogging conversation.

Blog Rush - Generate Targeted Traffic to Your Blog

There are numerous tools one can use to drive blog traffic and find new readers. Obviously, some will work better than others. The folks at Blog Rush have developed a program that looks like a winner to me. If you have a blog, take a look at how Blog Rush can help you find new readers for it. If you have a favorite blog, let its publisher know about Blog Rush. I am certain they will thank you.

You will find the Blog Rush widget on the left side of my blog. Click on the link on the bottom to learn how you can use Blog Rush to help you grow your traffic and awareness. Or click on the image below.

Street Smart Stealth Marketing Pays Off

Recently, I received an email from Joy Butler. She is the author of a new book, The Permission Seeker's Guide Through the Legal Jungle: Clearing Copyrights, Trademarks and Other Rights for Entertainment and Media Productions (Guide Through the Legal Jungle) 

It covers much more than most visual artists need to know, but the parts that relate to the business of being a visual artist are invaluable. Butler provides easy-to-follow directions on how to go about getting proper permission to properly clear the rights to copyrights, trademarks and other rights for entertainment and media productions.

If you have need to know how to legally incorporate a quote, music, artwork, flim clips, people's names, faces, brand names, life stories or other sorts of protected materials into your work, you need this book. Conversely, if you want to know the best way to properly allow use for your own copyrighted images, it will help you there as well. It includes more than fifty pages of resources and forms for you to use. This could easily be well worth the $13.57 Amazon price many times over for visual artists.

I'm impressed enough by the book to recommend it to you. However, if Butler had not contacted me with an offer I couldn't refuse, I would not know about it. She found me because I have published an Amazon Listmania list, Business & Marketing Books for Visual Artists. Her simple offer was to send me a free autographed copy of her book with the condition I add it to my Listmania if I found it appropriate. No strings attached. Upon review, I was happy to oblige.

My brother is a leading legal authority on franchising which makes heavy use of trademarks and copyrights. I showed him the book and he was quite impressed. That's a high compliment because he is rarely easily impressed by such things. Joy Butler publishes a useful book and uses street smart savvy and a little elbow grease to ferret out prospects to help her market it. I'm sure she will be successful with her efforts.

If you are a reader of Clint Watson's Fine Art Views blog. You recently read a post of his about artist Hazel Dooney giving away copies of her latest print free. I commented on it because it fits with my views that there are new and unique ways artists like Dooney are using to gain publicity. She's getting another bump from me right here. Her free prints have multiplied and amplified her marketing in ways no other marketing can reach.

How many ways can you think of using unique marketing promotions to help you get notoriety otherwise unavailable? If you start thinking creatively about it, you will be surprised at what you can do to help yourself. Butler's book is a worthy addition to any serious artist's bookshelf. For the price of a few minutes of her time to write me and a few bucks to send me a copy, she's gained more exposure to a targeted audience than she could get anywhere using mainstream media. Learning how to use guerrilla tactics like this in your own business will take you a long way towards gaining the success you want.

Here is another great example of how stealth marketing can work for you. Because I am a marketing geek at heart, I subscribe to Michele Miller's superb Wonderbranding, Marketing to Women blog. In timely fashion, just a few weeks before my wife's birthday, she posted about jewelry designer, Nicole Kidd. Turns out Nicole has been sending Michele useful tidbits of information for a long time without ever asking for anything, not even a reply. Just a simple friendly gesture. Michele's blog is one of the most successful and highly read marketing blogs and as such she gets voluminous email. She also has a huge list of potential topics to write about, so for her to mention Nicole, it had to be something special.

Turns out Nicole is something special. When I saw the link and read the post, I knew I would find something on her Web site that would be a perfect gift for my wife. I emailed Nicole and we had some very nice communication, including a phone conversation. She is a dynamo with passion and energy and just plain fun to talk with.

I placed an order and it was filled and delivered on time as promised. My wife loves the unique necklace and earrings and I'm proud every time I see her wear them because she looks great and I know she is wearing something not store bought and because stealth marketing really really works. Some of her favorite stones are turquoise and peridot, her birthstone. Look what I found for her on Nicole's site.

These are but two examples of how using inexpensive creative marketing paid off for the marketer. Like Woody Allen says, "90% of success is showing up." How soon you get your marketing efforts to show up in the right places is up to you. Get started now.   

Links You'll Like

Here are some links you can use to help you and your art career. Please share them with your friends.

Gawker Artists - You may have noticed the rotating images with the Gawker Artist logo on the left column of this blog. (Hit your refresh button to see more images.) Artists are invited to submit their work to Gawker Artist for consideration. There is no charge to the artists when their work is added to the roster. The art is displayed on blogs and Web sites at no charge either. If you decide to add one of the three sizes of displays, your blog or Website will be listed on the Gawker Artist site. It's generated good traffic to my blog. Liz Dimmit is the curator for the site. Her Gumshoe business provides cultural tourism to New York city visitors and is tailored to their specific interests. Sounds like a great way to see the city to me!

The-Artists.Org - Artists can list for free with a reciprocal link to their Web site, or make a one-time $65 donation to get a more robust listing. The site has a Google Page Ranking of 6, which is excellent and claims 7 million annual visitors. Worth checking out!

Marketfusions - A blog on thoughts on strategy, business, marketing, content & creativity. The link here is to a very good article on Personal Branding. The business side of art is all about personal branding. This post offers clear advice on how to get your arms around it and incorporate it into your career.

Passionate for Life - Are You Pursuing Happiness and Joy? I'm not personally involved with any coaches or mentors, but I've seen enough positive results from those who are to pass this along. The site features writers and life coaches who address the key elements of living life with passion - exploring the power of passion; how to discover one's passion; how to live a life of purpose and authenticity; the law of attraction; the art of living passionately; finding your dream career; re-inventing oneself and more.

Outdoor Art - Trends come and go. I think this one has a long life. Consumers are spending more time and more money to accommodate a lifestyle of living as much as possible outdoors. They want to decorate these spaces much like their indoor counterparts. If you or your publisher haven't considered adding weatherproof prints to your lineup, you are missing some sales opportunities. You can find lots of information by Googling "weatherproof art" and "outdoor art." (Did you know when you put a phrase in quotation marks in a search engine it will only search for that exact term?)

Final note - those of you who get Art Print Issues by email subscription or RSS syndication received a notice for Links for 2007-09-26 (Digg). It points to a blog post titled Ten Timeless Persuasion Writing Techniques; It's very good information, but I didn't intend to send it to my subscribers, especially one day after sending a new post. This happened automatically when I Dugg (voted) for this post on Digg. It's something I'm not thrilled about because I can't figure out why it happened and until I do, I'll do no more Digging of any articles despite how much I like them. I admire the blogger and am glad you have the information, but I'm confounded by the technology that does such things. Too much of a good thing, I suppose. And, yet another reason to put a post together on social bookmarking, social networking, etc. If we all only had the time to investigate and tame these beasts...

When you hear from me again, I will be back from ArtExpo Las Vegas where I have great hopes for a good show for all involved. You'll get my report on it and Decor Expo Atlanta soon!

Artists for Art's Sake

Besides my regular Art Print Issues blog beat, I frequently contribute to the Absolute Arts blog. It features a rotating series of guest bloggers from around the globe. Many contributors are artists who provide a wonderful potpourri of perspective you won't find any place else. My most recent post is titled:

Artists for Art's Sake - They Work Hard to Earn Your Business and Respect - Please Give It to Them

It's an argument for supporting artists and explanation of some of the unique aspects of being an artist. All provided with the intent of raising awareness of the what it takes to be a successful with the hope it will encourage more who read it to be motivated to open their wallets as they do their hearts when they encounter art that speaks to them.

Having taken a break from my computer and email for three days, I just reread the post now to painfully find typos and grammar I thought were fixed. Unlike here, where I have an opportunity to edit, what gets sent to Absolute Arts is final. Crunching a column late on a deadline will sometimes cause havoc with the best copy. Fortunately, the intent remains obvious.

A Year of Blog Topics for Artists - No Reason to Hold Back Now

Having read Why Every Artist Needs a Blog on Art Print Issues, you are ready to take the plunge into the blogoshpere. But, you are concerned you won't know what to write. If you think people don't want to know what you had for lunch, you're correct and win a gold star. Here then are 52 suggested blog topics designed to get you through your first year without ever mentioning peanut butter and jelly. Several topics could easily be multi-part posts:

52 blog topics for artists - Courtesy of Art Print Issues

1. Why I support xyz charity
2. The most inspiring art teacher I have known
3. How I came to know being a professional artist was my career path
4. Why I love working with xyz medium
5. What you can learn from the traveling exhibit at the abc museum
6. Four galleries I would love to carry my work and why
7. Five contemporary artists whose works inspire and inform me
8. Clues to the subtle messages in my art
9. My color palette is (nature/technology/environment) driven and why
10. Ten things they don't teach you in art school
11. How being in the business of art affects my art
12. When I paint, I like to listen to Guns n' Roses/London Philharmonic/Enya/Toby Keith
13. How the other arts influence my work, e.g., how I attempt to interpret the fluidity of a ballerina in my brush stokes
14. Here are blogs by other artists whose work I like, or whose blogs I like
15. Art retreats; although you may not get rich and famous, you can still travel and stay at wonderful places. Here are my favorites or fantasies
16. How other jobs I've had have added perspective to my art
17. Spirituality is personal, but growth in it has made me a better artist
18. Nine things I want to paint before I stop
19. Why painting en plen air is exhilirating
20. Art by other artists I bought in unusual places
21. Visually inspiring day trips around where I live
22. Museums I've visited in other cities and around home
23. Art books on my bookshelf
24. If I could only recommend one book, art or otherwise, for someone, it would be...
25. How living the creative life has uplifted my spirits and made me a better person
26. Advice for young artists
27. Why I love my local galleries and/or the local art scene
28. How blogging has stretched me as an artist
29. You can find my art online at these sites, here's why I chose to use them
30. Art magazines I like to read
31. The greatest influence on my life was...
32. Why and how parents should encourage artistic development in their children
33. Some funny experiences either colleagues or I've had at art shows
34. I still can't believe people have asked me these things
35. The five best quotes on art I've ever read
36. How the courage and creativity of some disabled artists have inspired me
37. Here are blogs I enjoy that are not about art
38. Seven ways technology has changed how I make and sell art (Some examples are: Photoshop/digital camera/digital painting/digital printing/Painter/online art sites)
39. I'm grateful because this person came in my life, or because this happened to me
40. Eight reasons I get out of bed to paint everyday are (Suggestions: Let's be honest, I need the money. I'm OCD and can't help it. It's the best job a person could have. A day without painting is like a day without sunshine. I can't stand the thought of going back to the 7-11)
41. And you heard writer's block was difficult
42. How overcoming creative obstacles has made me a better artist
43. So I went to a tradeshow/convention/workshop and the best/funniest/saddest thing happened
44. It's really hard to part with my originals; here's why
45. Five reasons you will like the giclee prints I offer
46. Flowers in my garden make me smile and make me paint
47. If I wasn't an artist, I'd be a...
48. Why faces are so difficult to paint, and hands are tough too
49. The most inspiring movie I've ever seen is...
50. How the arts organizations in my area are helping children/charities/??
51. Why you should always use a docent when you go to a museum. Here are some special things I learned at...
52. How reading the Art Print Issues blog has made me smarter, better looking, more creative and much richer

Audio Added for Your Listening and Downloading Pleasure

I added a new widget to the Art Print Issues blog today. Odiogo allows blogger to "Voice Your Content" by digitizing the blog text and creating an audio file read in some bloke's pleasant computer voice. You can also choose to download it as an mp3 and listen to it on your iPod or other audio players. I think it is a cool service some will appreciate having. It will be interesting to get your feedback. Click the icon to start listening.

As with all new technologies, Odiogo comes with some features that are less than perfect. One is it sometimes rambles from one sentence to the next without a natural pause making casual listening difficult in those instances. Another is it doesn't read the list numbers as in my previous "Thirteen Sure-Fire Rules..." post. Lastly, its attempts to pronounce giclee are downright humorous. Given giclee is a French word, it's easy to see how this could happen. It sounds very much like the way many people I've heard try to say it when they first encounter the word. I've heard it as "jie klee" and as "gick lee" but all in all it's pretty impressive. I'm sure as the service gets older it will improve, the model is advertising free now, but it intends to monetize the free service by adding that as a feature sometime in the future.

Odiogo has a blog; its Deploying the Odiogo service on a blog: Why and How is a good read. The Daily Cup of Tech blog recently had a very good post about Odiogo, Now with Audio Goodness, offers some additional insight. If you are a techie type, check it out for its other posts as well. If you want to add it to your Blog or mainstream media Web site, simply go to www.odiogo.com and sign up for the free service.

The Secondary Art Market - Bev Doolittle's Beyond Negotiations Sold Out & The Lunacy of Limited Edition Giclees

Brad Greek, a longtime supporter of my book, consulting and blog recently notified me Bev Doolittle's latest limited edition piece, Beyond Negotiations, was sold out at Greenwich Workshop, her publisher of many years. No surprise in that news really. When I blogged about the work last month, the larger canvas giclee 350 piece edition was already taken. It was only a matter of time before the smaller canvas edition of 3,750 would also be no longer available at the publisher level. Together, the two editions represent $4 million in retail sales for unframed work. (Erratum, the edition of 3,750 was identified on my previous post as being on paper. That is incorrect, it is also a giclee on canvas.)

There may be other artists selling out large editions like Doolittle's, but I doubt any are doing it as quickly as we've seen with Beyond Negotiations, which is her first limited edition published in eight years. Obviously, her fans, collectors and speculators remain enthusiastic about her work. The new piece is already active on the secondary market. The secondary art market and unlimiting giclees are the subject of this post.