Art Print Issues

Making Art & Money in the Digital World - Meet Me in Atlanta

I'm honored to be giving a presentation titled Making Art & Money in the Digital World at the Digital Arts Studio in Atlanta next month. The company is an industry leading premier digital printmaker. The talk is slated for Wednesday, August 13 at 6:30 pm at company headquarters. The address is: 1082 Huff Rd NW, Atlanta, Georgia  Phone: 404-352-9779 Toll-free: 866-352-9779. Space is limited. RSVP via email by August 8.

Here is a synopsis:

Any artist wishing to improve their business will benefit from attending. In a fast-paced hour, you will discover new perspectives on art marketing for visual artists and photographers. Q & A to follow.

Tips on marketing, advertising, publicity, blogging, Web sites, social marketing and gallery alternatives will be provided. Artists will learn unique ways to market themselves and about attributes shared by successful artists. An extensive resource list will be included with the presentation handout.

The presentation will shed light on the rapid changes in traditional art print market and what it means to visual artists and photographers. You will gain insight to help decide to self-publish, seek a publisher or do both. The talk will include the attributes on every art publisher's dream artist list and the merits and pitfalls of both self-publishing and working with a publisher.

A discussion will be provided on how visual artists and photographers can use the print market and digital printing to:

•    Grow awareness for themselves and their art
•    Increase sales
•    Diversify their price points and consumer mix

I'm looking forward to it and promise to do my best to make it fun, informative and worth your time!  

Is the Next Big Thing About to Happen?

I've been a huge fan of futurist Watts Wacker since I first heard him speak to a group of tourism executives circa 1999. His presentation was fascinating and full of compelling information.

He was as riveting a speaker as any I've heard. That he managed to mesmerize his audience of business executives while wearing long hair, shorts, sockless loafers and a rumpled button down shirt made him more interesting. It was a rare encounter where I found myself thinking, "How fun it must be to be that smart, that cool, that self-confident and worthy of having organizations fly a person in and pay them thousands to hear their ideas for a mere 90 minutes?"

At the time, his international bestselling book, co-authored with Jim Taylor, The 500 Year Delta: What Happens After What Happens Next was riding high on the charts. And, his subsequent books, Visionary's Hand, and The Deviant's Advantage plus his latest, What's Your Story?: Storytelling to Move Markets, Audiences, People, and Brands provide more profound and practical insight from this informative oracle.

Finding a Way to Fill the Yearning for Authenticity Can Drive Your Art Career

A key fact I landed on from The 500 Year Delta was in the monumental changes we are living through, there is a societal yearning for authenticity. Today's digital world, including giclees, doesn't allow much for it. If you can figure out how to create true authenticity in your art career and properly promote it, you will reap great rewards.

Wacker's always thought provoking monthly newsletter is penned by him and published by his company, First Matter LLC. The essay most apropos to this blog is from the February 2008 issue. It does not disappoint. With permission, here it is:

Keep Your Eyes Open I’m Convinced it’s About to Happen by Watts Wacker

I can’t help but keep thinking about this being the 40th anniversary of the ’68 Chicago convention and the tragedies of both Bobby Kennedy and Martin Luther King. Especially now that so many have suggested that we are at the same, or at least, similar crossroads today, I just keep thinking about it.

I actually disagree with the assessment of similarity to the two periods of time. In 1968 the social mood was much more “down with authority” ... today? ... it’s much more like “are you prepared? ... and is there such a thing as being an authority?” We want our institutions to be prepared for the future and we’ve not so sure they are so.

There was an artist who captured the ‘60’s, Peter Max. Peter’s an amazing man. Philanthropist, humanitarian, environmentalist and philosopher ... he is the most successful living artist in the world. He truly was the catalyst for connecting art and business. Max was the first person ever to have his work placed upon everything from bed sheets to sneakers. His product was out-licensed to the tune of $1 billion (yes, billion) before 1970.

While he would likely refer to himself as a neo-expressionist today, he has traveled from realist to pop artist (maybe archetype on this one) to his latest definition. His prescience in seeing how “the poster” was on the cusp of unprecedented ranges and intensities of color (all at inexpensive and high quality) allowed him to connect romantic, playful and psychedelic. He created the yellow submarine for the Beatles. Toulouse-Lautrec would have been proud. Peter readily says that his love of the cosmos and childhood expectation of becoming an astronomer was a major source of inspiration for the art of the 60’s. He captured a period of time.

Today, we should be looking for “that look”. What I mean is, what is the look for today? We’re far enough “in” to the 21st century. And, like Peter, I believe it will be somebody born in Europe ... developing years in Asia ... than blossom in the USA. However, in the 2010’s it will be some other order and more than likely an artist who blossoms in Asia. Keep your eyes open ... I’m convinced it’s about to happen.

I'm in agreement with Watt's observations and predictions. If you want to read my TalkBack comments on his site and peruse some very interesting links related to Watts' commentary, go here.

This post comes on the close of the 30th Annual ArtExpo New York show where in its heyday none other than Peter Max used the venue to further his career. Wouldn't it be great if the artist whose talent will rise to grab our collective consciousness as Watts' envisions was exhibiting there this year? That fantasy aside, given the changing dynamics of the art market, I wouldn't bet on such a notion. It's far more likely the art print market and its primary venue will undergo untold major changes before the next big thing comes calling. Just as The Beatles and Peter Max helped revolutionize music and art by being different and not of the status quo, I believe the next big thing will break out of some yet unknown venue or channel.

Do You Have a Second Life? Do You Need a Second Life?

If you want to be somebody else,
If you're tired of fighting battles with yourself.
If you want to be somebody else
Change your mind, change your mind. - lyrics to Change Your Mind by Sister Hazel

If you answer is yes, you likely are one of the 8.5 million plus people who have created a virtual alter ego on Second Life. Here is the description of what Second Life is from its Web site:

Second Life is a 3-D virtual world entirely built and owned by its Residents. Since opening to the public in 2003, it has grown explosively and today is inhabited by a total of 8,558,745 Residents from around the globe.

There are who find it hard to imagine one having enough time for a rich involved second life when their real life is so hectic already, while for others the escape from the clamor of reality is the lure. Me, I signed up and got an avatar, but was fairly bored before I got off Help Island where you learn to walk, talk, drive and fly and get an appearrance and find and move stuff. I did go to some galleries and cafes, but still was anxious to get back to RL (real life) in SL parlance.

Despite my personal experience, I don't underestimate the power of such software to transform people's lives and businesses. That actual countries are setting up consulates on Diplomacy Island gives you another glimpse of the depth of involvement and the potential others see in the virtual world. If you can find a way to make this work for you, go for it and please report back here when you do or if you already have.

Before you think I'm crazy and wonder why I'm posting about Second Life, you should know it is in the press for many reasons. For example, it was featured as a cover story in the May 6, 2006 BusinessWeek magazine with this headline: My Virtual Life - A journey into a place in cyberspace where thousands of people have imaginary lives. Some even make a good living. Big advertisers are taking notice.

The July 4, 2007 edition of The Art Newspaper carried this article: Art Makes a Scene on Second Life - The online virtual world is becoming one of the best places for for artists, curators and dealers to meet. The article mentions the island of Artropolis where artists have set up galleries that sell both virtual and actual art online. One artist claims to have made more than $10,000 offline from contacts made in Second life.

The blog, Business Communicators of Second Life recently announced Sanpellegrino's pool party launch for those whoever wanted to be part of the high brow Italian art and club scene. Wow and darnit! I missed it on July 25. Before you laugh, consider its sponsor is international consulting firm Accenture. So, if you are just bored, want to kill some time in a virtual world and perhaps pick up some sales and contacts you would not otherwise get, Second Life just might be the ticket for you. 

Whose Art Is It Anyway?

Some of you may already know I occasionally blog on Absolute Arts, one of the more heavily trafficked sites for visual art. My latest post there has the same title as this post. It talks about some interesting observations regarding money and art, throws in a dash of politics and a flourish of acknowledgment for the accomplishments of one determined person to do good by following through on a good idea. Here's the link: http://blog.absolutearts.com/blogs/archives/00000344.html